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Ariel Quartet

Icons in Dialogue, a Beethoven Bicentennial performance
Saturday, March 6, 2027, 2:30PM
Margaret Lesher Theatre
1601 Civic Drive
Walnut Creek
Box Office: 925-943-7469
Sunday, March 7, 2027, 3:00PM
Herbst Theatre
401 Van Ness Avenue at McAllister St.
San Francisco
Box Office: 415-392-4400
Monday, March 8, 2027, 7:30PM
Oshman Family JCC
3921 Fabian Way
Palo Alto
Box Office: 415-392-4400
Performance Photo
Performers

Gershon Gerchikov & Alexandra Kazovsky, violins
Jan Grüning, viola
Amit Even-Tov, cello

Program

MENDELSSOHN String Quartet in A Minor, Op. 13, No. 2
CAROLINE SHAW Blueprint
BEETHOVEN String Quartet in A Minor, Op. 132, No. 15

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"Setting ear-melting tenderness against seething passion with a deft and precise touch." —The Washington Post

Experience pivotal works by composers who exploded the idea of what a string quartet can be—and in doing so, became iconic voices of their time. The illustrious Ariel Quartet, considered to be among the most fiery, impassioned, and innovative musical stewards of our time, delivers a Beethoven Bicentennial concert that shows how he voices his own evolution, and how the act of doing so fueled music-making by those who came after him. His Opus 132, a late masterpiece, pushes beyond where quartets—including his—had ever been. It features one of the most famous and deeply personal movements in all of the quartet literature, Beethoven's poignant utterance on mortality. With the String Quartet No. 2, "Ist es wahr?" ("Is it true?"), young Mendelssohn is in dialogue with his idol. Written the year of Beethoven's death, eighteen-year-old Mendelssohn models his piece on Beethoven's final quartets, especially in its cyclic form and deeply personal origins. Two centuries later, Blueprint, by Pulitzer Prize and Grammy-winning composer Caroline Shaw, is a musical conversation with Beethoven and Haydn. It is a harmonic reduction of Beethoven's early Opus 18, No. 6 quartet, and radically and remarkably explores its structural, joyful, and melancholic elements.

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