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Yeol Eum Son Piano Recital

The Virtuosos, a Beethoven Bicentennial performance
Saturday, April 3, 2027, 2:30PM
Margaret Lesher Theatre
1601 Civic Drive
Walnut Creek
Box Office: 925-943-7469
Sunday, April 4, 2027, 3:00PM
Herbst Theatre
401 Van Ness Avenue at McAllister St.
San Francisco
Box Office: 415-392-4400
Monday, April 5, 2027, 7:30PM
Oshman Family JCC
3921 Fabian Way
Palo Alto
Box Office: 415-392-4400
Performance Photo
Performers

Yeol Eum Son, Piano

Program

BEETHOVEN Six Variations in F Major, Op. 34
CZERNY Variations on a theme by Rode, Op. 33, “La ricordanza
LISZT “Ricordanza” from Transcendental Etudes
RACHMANINOFF (arr. Siloti) Vocalise
RACHMANINOFF Prelude Op. 32, No. 13
J.S. BACH (arr. Rachmaninoff) Gavotte from Partita for Solo Violin No. 3
J.S. BACH (arr. M. Hess) “Jesus, Joy of Men’s Desiring”
DE LARROCHA Sonata antigua, Cajita de música
LANDOWSKA Feu follet, Valse
NIKOLAYEVA Elegy
GIESEKING 3 Dance Improvisations
WILD Reminiscences of Snow White

Performance Icon

"A pianist of international stature that likewise reflects the best of South Korean musical talent." —Cannopy

Cliburn and Tchaikovsky Silver Medalist and Chamber Music SF favorite Yeol Eum Son returns in a concert of curated solo works written by and for great piano virtuosos. Undisputed luminary Beethoven sets the bar with a potent work where each episode of his Six Variations in F Major perpetually reinvents itself, each spinning into a new key and character. From there, echoes multiply: Czerny's "La ricordanza" ("The Recollection") and Liszt’s Ricordanza turn nostalgia into pianistic poetry that is lustrously ornamented and cleverly elusive. Then, acts of transformation in superfine interpretations and reinventions of Rachmaninoff and Johann Sebastian Bach, alongside vivid miniatures, elegies, and fantasies by other superlative pianists–composers. Acclaimed for her highly intelligent interpretations, exceptional depth of expression, and novel and imaginative programming, the incandescent pianist Son performs here with virtuosity that reaches such heights it is as if she is summoned by pianists–composers themselves.

Photography courtesy of Marco Borregreve

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